“Yamasaki, who works as a muralist and educator, creates sweeping paintings that capture the story in a literal manner even as she makes bold metaphorical leaps. When the two boys lie in bed at night, the menacing shadows of the camp’s guard tower are imprinted on their blankets. The family stands poised on Taro’s reclining form, while the imagined torsos of F.B.I. agents loom in a forbidding muddy background. One of the most moving spreads shows Taro capturing fish in a river, each fish carrying a reclining Jimmy on its back.
The overall result is a dramatic, visual feast. And Yamasaki gives readers a reassuringly happy ending.”
– Pamela Paul, NY Times